The Drawing Repeated in the Gravel Garden Path
by Mollie Goldstrom
October 4th – October 27th, 2013
Gurari Collections is pleased to present an exhibition entitled the drawing repeated in the gravel garden path by artist Mollie Goldstrom, featuring works in intaglio, lithography, pen and ink. By borrowing specific instances in human and natural history, and themes from science, literature, and myth, Goldstrom strives to reproduce mutable actualities as narrative etchings and drawings. She depicts alternate realities built by human error and misunderstanding of the natural world and ecological systems.
The formal garden appears in Goldstrom’s work as a recurring theme and backdrop. With its many constraints, it presents an orderly vision of a world in which every element is understood and arranged according to rules of geometry, optics, and perspective. As a microcosm of a world that is full of contradiction and chaos, the garden merely holds a mirror to human yearning, a futile striving for impossible perfection.
In her featured series of eight hand-colored intaglios entitled If I miss, I miss but a little she uses as a primary text 17th century polymath Charles Butler’s The Feminine Monarchie, a practical treatise on beekeeping that also contains an eccentric transliteration of tone pitches produced by bees into a four-part madrigal. Goldstrom finds relevance in Butler’s projection of a very human system, (musical composition) onto something innately non-human, (the buzzing of bees) as a means of attempting to understand and translate it. Butler’s musings are made poignant by their juxtaposition with contemporary references to Colony Collapse Disorder, the cause of the honeybee’s recent rapid decline.
Goldstrom weaves complex, overlapping poignant issues into a storyline that appears approachable because the visual references and symbols are common to us. When brought together into one of her etchings, a story unfolds that has its’ immediacy, yet the inferences are so much more.
